In actuality, a !Kung San band consists of several families, totaling between 10 and 30 people, with each family having its own hut (Stockard, 2002, pp.18-19). The huts provide shelter during infrequent rain storms and storage space for food and weapons but are generally not large enough to sleep an entire family, so a family will sleep outside under a commonl blanket (Stockard, 2002, pp.19). The huts are constructed around a central open location, the common social area for the band(Stockard, 2002, pp.19) . They are constructed of cut and bent saplings over which layers of grass are laid and being of such a simple design, require only several hours to complete (Stockard, 2002, pp.19). Each hut is built so that its entrance faces the common area and it is in this central space that most of the community interactions and exchanges occur (Stockard, 2002, pp.19).
The Gods Must be Crazy accurately portrays the living quarters found in !Kung San society, it just does not include enough to do justice to the population of the band. The inclusion of several more, grouped around a communal location, would more accurately represent an actual Bushmen band. In addition, it both correctly and incorrectly portrays the population of a Bushmen band. My next post shall focus on the film's portrayal of Ki's community in contrast to the structure of an actual !Kung San one. Until the 'morrow!
Stockard,
Janice E. (2002). Marriage in Culture:
Practice and Meaning across Diverse Societies. Belmont, CA: Wadsworth.
Uys, Jamie (Producer), & Uys, Jamie (Director). (1980) The Gods Must Be Crazy [Motion picture]. South Africa: Ster Kinekor
Uys, Jamie (Producer), & Uys, Jamie (Director). (1980) The Gods Must Be Crazy [Motion picture]. South Africa: Ster Kinekor
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